Watch movie tarzan the wonder car
When it comes to making a simple looking narrative engrossing, Korean filmmakers do a neat job. Although I had watched this earlier as a part of market screenings in Marche du, I still felt like revisiting this film for its fast paced and immensely well-choreographed action sequences. Midnight, directed by Kwon Oh-Seung, a fast-paced Korean thriller, is another film that I highly recommend.
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This film bagged the audience award and for the Best Asian Feature. Many questions arise while watching the film and the more you think about what is happening, the more you get drawn to possibilities of the narrative. Within the limited area of just a coffee shop, staircase area and the room above, Yamaguchi has masterfully handled the screenplay so that it is simple enough for him to shoot it in a single take. The film never goes overboard with high-fi graphics or gadgets. Just like when you have a mirror opposite to a mirror and create the infinity mirror or “Droste effect”. A brilliant idea of putting in more monitors to extend the time from two minutes to infinite is brought in. A coworker in the coffee shop and Kato’s friends who visit the coffee shop get to know about this, and things get crazier as all these people get involved. The time travel device is quite innovative in creating a worm hole of two minutes delay between the monitor in the coffee shop and the monitor at the room above. He runs downstairs to the coffee shop to check if the past version of himself is in the room above and the whole sequence gets repeated from the other way, where his past self is now seen in the monitor kept in the coffee shop. Kato, who is searching for his guitar pick, gets to know where exactly it is, from his future self. He discovers that the version of himself in the monitor is two minutes ahead. Kato, a coffee shop owner who stays in a shabby room a floor above the cafe, accidently makes connection with his future through a computer monitor kept in his room to monitor the coffee shop. The film explores the aspect of time travel in a very simplistic yet puzzling narrative. The first film that caught my attention was Junta Yamaguchi’s directorial debut Beyond the Infinite Two Minutes, a low budget high concept film executed in a single take, reminding one a lot of One Cut of the Dead, the 2018 zombie comedy.
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The alerts on the restricted timed films really helped with the planning. The synopsis and the trailers helped in prioritising the titles, many of which were totally brand new. Fantasia’s portal provided a great catalogue set with some films, shorts and documentaries available throughout the festival and some premieres which were timed and had an expiry.